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“Broke But Brilliant: Why Hard Times Create the Best Art”

Ashley Autumn

Updated: Feb 2


Teens hanging in 70s New York
Teens Hanging in New York

The relationship between the economy and entertainment has always been symbiotic. Music, film, and art often mirror the economic conditions of the time, reflecting societal struggles, triumphs, and transformations. One of the clearest examples of this is the flamboyance of disco in the 1970s, which coincided with economic hardship, only to be met with backlash, ultimately leading to the rise of hip-hop and the revival of rock. Today, as we find ourselves in another period of financial uncertainty, we see history repeating itself—a shift in the music industry that signals not just a change in sound but an economic and cultural turning point.



Disco, Economic Struggles, and the "Disco Sucks" Movement


The 1970s were marked by inflation, high unemployment, and economic stagnation.

Yet, the dominant music of the time—disco—was an extravagant, glitzy escape

from reality. Nightclubs were filled with shimmering lights, expensive outfits, and carefree hedonism, all providing a stark contrast to the financial struggles of everyday Americans. Disco symbolized excess, and in a time of economic pain, that excess felt out of touch for many, particularly working-class white audiences who found themselves increasingly alienated from mainstream entertainment.


The infamous "Disco Sucks" movement, epitomized by the 1979 Disco Demolition Night in Chicago, was more than just a backlash against a genre—it was a cultural revolt against the extravagance that many felt was no longer sustainable. In its wake, new genres emerged that more directly spoke to

the financial and social struggles of the time.


Hip-Hop and Rock: The Voices of Economic Struggle


As disco faded, hip-hop rose from the Bronx, telling stories of economic hardship, systemic inequality, and urban decay. It was the voice of Black America’s struggle, born out of block parties where turntables and rhymes replaced traditional instruments that many couldn't afford. Hip-hop wasn’t just a genre; it was a reflection of the environment—tenements, abandoned buildings, crime, and resilience. Simultaneously, rock music experienced a revival with a focus on poor white narratives, particularly in heartland rock, which spoke to factory closures, rural decline, and blue-collar struggles. Artists like Bruce Springsteen became the voice of the working class, while hip-hop became the microphone for marginalized Black communities.


The 1980s: Capitalism Revives the Flash


Don Cheadle in Black Monday
Don Cheadle Stars In "Black Monday"

The late 1980s saw a dramatic shift as Reaganomics ushered in an era of wealth worship. The same excess that fueled disco found its way into hip-hop and rock, as both genres adopted the aesthetics of capitalism. Hip-hop, once a reflection of struggle, became a display of opulence with artists embracing designer brands, gold chains, and luxury lifestyles. Rock stars of the ‘80s also leaned into the grandiosity, with larger-than-life personas, stadium tours, and music videos that exuded wealth and indulgence. The economic boom reintroduced flamboyance into the industry, proving that financial shifts directly influence artistic expression.




2020s: The Economic Downturn and the End of the "Sex, Drugs, and Rock & Roll" Era


Rappers Future, Drake, Young Thug
Future, Drake, Young Thug

Fast forward to today, and we find ourselves in another economic downturn marked by inflation, layoffs, and wealth disparities. In hip-hop, the battle between Kendrick Lamar and Drake in 2024 was more than just a lyrical clash—it symbolized a transition in the culture. Drake, an artist who embodied the excess and wealth-driven mentality of hip-hop’s last decade, faced off against Kendrick, an artist known for his introspective, socially conscious storytelling. The shift was inevitable.

The line "Watch the party die" encapsulates the moment. The era of indulgence—bottle service, designer flexing, and superficial bravado—is fading. What follows is an artistic renaissance, one that prioritizes substance over spectacle. The cycles of history tell us that economic hardship often births creative brilliance, and Black culture has always been at the forefront of these artistic renaissances.


Black Artistic Renaissance in Times of Hardship


1939 and features an image of Black man and woman dancing at The Jitterbug, an old juke joint in Clarksdale, Mississippi.
1939 and features an image of Black man and woman dancing at The Jitterbug, an old juke joint in Clarksdale, Mississippi.

Throughout history, economic struggle has been a catalyst for Black artistic innovation. The Harlem Renaissance emerged in the wake of the Great Migration and post-World War I economic shifts, producing some of the greatest literary, musical, and artistic contributions in American history. The birth of rock and roll in the 1950s came from Black artists blending blues, gospel, and jazz during a time of segregation and financial inequality. Even further back, enslaved Africans in America created field hollers and spirituals—foundational elements of American music—out of pain and resilience. The blues itself was born out of economic and emotional struggle, giving a voice to those left behind by industrialization and Jim Crow America.


Owning Our Art: The Power of Education and Independence


The advantage we have now is knowledge. Unlike previous generations, today’s artists have more tools to own their work, maintain creative control, and build sustainable careers. Platforms like Bandcamp, Patreon, and YouTube allow direct-to-fan engagement. Black entrepreneurs in the entertainment industry are creating their own labels, media platforms, and brands, ensuring that the fruits of this renaissance benefit the community.


Economic struggle may be cyclical, but so is Black artistic brilliance. As we watch hip-hop enter a new era, we are witnessing the beginning of a creative resurgence that will define the next generation of music, film, and culture. The party may be dying, but the art is just beginning to thrive.

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August Rayne - He Gon learn (Leave me be)
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August Rayne - He Gon learn (Leave me be)

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